Author: Sutun Nayak

Mumbai (Maharashtra) [India], February 22: Bharat Tex 2025, India’s largest and most prestigious global textile event, concluded on a high note, setting new benchmarks for the textile and apparel sector.

Showcasing MMF & Technical Textiles
Shri Bhadresh Dodhia, Chairman of MATEXIL (Man made Fibre and Technical Textiles Export Promotion Council) and Co-Chairman of the Core Committee said, “Bharat Tex 2025 has provided a great platform to promote Man made fibre and Technical Textiles”. About 250 companies participated in Bharat Tex 2025 through MATEXIL, an Export Promotion Council that promotes exports of Man-made fibre textiles such as Fibre, Yarn, Fabrics, Made-ups (including Home Textiles) and Technical Textiles. Further, about 370 foreign buyers from different countries had visited the event on the Invitations and arrangements made by MATEXIL.

Prime Minister’s Visit & Key Industry Insights
During Hon’ble Prime Minister, Shri Narendra Modi’s visit to Bharat Tex 2025 on February 16, 2025, Shri Bhadresh Dodhia briefed him on the MMF sector and recycling. He informed the Prime Minister that “While India has got its strength in Cotton, it is making rapid progress in the Manmade Fibre Textiles”. He further stated that the industry is ready to invest to meet the growing demand for manmade fibres. Displaying a garment made out of recycled bottles to the Prime Minister, he highlighted the growing use of recycled plastic bottles obtained from the sea in textile garment production, in line with the Prime Minister’s vision of ocean cleaning.

Role of MSMEs
In his address at Bharat Tex 2025 , the Prime Minister emphasized on the role of MSMEs in textiles and urged the banks to ensure greater availability of credits to this sector. Shri Bhadresh Dodhia said “the announcement of the National Manufacturing Mission in the Union Budget 2025 will give a boost to MSMEs as they contribute towards 80% of the manufacturing capacities in the textiles & clothing sector”. Further, the new definitions of MSMEs in the Union Budget 2025 will enable the units to grow & enhance production capacities without losing the benefits extended to MSMEs, according to Shri Dodhia.

Focus on Sustainability & Technology
On sustainability and innovations in the textile sector , the Prime Minister urged the youth to come out with new ideas. On the Prime Minister’s observations on the growth of the technical textiles sector, shri Dodhia pointed out the sector is growing in India and the size of the domestic market has increased to about US$ 22 bn. He further stated that MATEXIL has put in place a vision and an Action Plan to increase exports of technical textiles and is engaging closely with the manufacturers and exporters.

Recycling & Upcycling

The Prime Minister expressed his concern that fast changing fashion is leading to disposal of clothes which is causing damage to environment and emphasized on an urgent need for recycling and upcycling. “Textile recycling will need investments” , according to the Chairman, MATEXIL. He expressed his confidence that recycling will certainly attract new investments on account of growing awareness about sustainability aligning with the vision of the Prime Minister. 

Looking Ahead: A New Era for Indian Textiles

“The conclusion of Bharat Tex 2025 is not the end but the beginning of a new era for Indian textiles and we look forward towards translating the momentum gained into concrete growth to establish as a global leader in textiles & clothing” said Shri Bhadresh Dodhia.

Link: www.matexil.org

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Surat (Gujarat) [India], February 22: Sakhiya Skin Clinic, a pioneer in dermatology and aesthetic medicine in India, proudly introduces the Apollo Duet, an advanced skin treatment system that harnesses cutting-edge technology to provide non-invasive, pain-free solutions for a variety of skin concerns. By integrating radio frequency (RF), electroporation, and iontophoresis, this revolutionary system addresses dehydration, wrinkles, acne, pigmentation, sagging skin, seborrhea, capillaries, and more.

The Science Behind Apollo Duet

Apollo Duet’s high-frequency RF lifting technology stimulates collagen production, enhancing skin firmness and radiance with visible results from the very first session. Additionally, its electroporation and iontophoresis mechanisms enable deep penetration of active ingredients without injections, making it a highly effective and comfortable alternative to traditional mesotherapy.

Dr. Jagdish Sakhiya on Apollo Duet’s Impact

Dr. Jagdish Sakhiya, Founder of Sakhiya Skin Clinic, emphasized the clinic’s commitment to innovation

“We continuously strive to provide our patients with the most advanced and effective skin treatments. Apollo Duet is a breakthrough in non-invasive dermatology, offering instant skin rejuvenation, hydration, and tightening—without pain or downtime. Many of our patients have already experienced its remarkable benefits.”

Safety, Comfort & Visible Results

• US FDA-Approved: Apollo Duet has passed rigorous safety and operational inspections, ensuring optimal results for all skin types, including sensitive and inflamed skin.
• Comfortable & Reliable: Equipped with multiple safety mechanisms, it provides a soothing, non-invasive experience.
• Proven Results: Each session lasts 35-40 minutes, with six to eight sessions recommended for long-lasting improvements in skin texture, elasticity, and radiance.

Sakhiya Skin Clinic: Setting New Standards in Dermatology

With over 27 years of expertise, Sakhiya Skin Clinic has built a reputation for excellence in dermatology and aesthetic medicine. By blending innovation with personalized patient care, it continues to set benchmarks in non-invasive skin treatments. The addition of Apollo Duet reinforces its position as a leader in advanced dermatological solutions.

For further details, visit your nearest Sakhiya Skin Clinic or explore www.sakhiyaskinclinic.com.

New Delhi [India], February 21: Renowned Bollywood composer-singer & filmmaker Abhishek Ray was recently approached by the United Nations and the Government of India to create the branding anthem and film of the prestigious IBCA (International Big Cat Alliance), a dream project by PM Modi for bringing together 94 big cat holding countries of the world.

The International Big Cat Alliance (IBCA) is an intergovernmental organization that aims to conserve big cats l. The Government of India established the IBCA in March 2024.

The IBCA anthem – ‘Guardians of the Wild.’ which is conceived, composed, sung and filmed by Abhishek Ray, depicts the 7 big cats of the world namely the tiger, lion, leopard, puma, jaguar, cheetah and snow leopard. The branding film reveals the glory &  characteristics of the big cats as the apex predators of their natural habitats.

Bringing his music, filmmaking and conservation efforts together to save big cats, Abhishek Ray has recently filmed, sung and composed India’s National Cheetah Anthem for NTCA (National Tiger Conservation Authority) and created India’s national Tiger anthem earlier.

Apart from being an ace film composer

known for the music for iconic films like Paan Singh Tomar, I am Kalam, Saheb Biwi aur Gangster, Welcome Back, Life is Good, Shagird, Yeh Saali Zindagi etc.   Abhishek Ray has been awarded with Swabhiman Bharat &  the prestigious Amazing Indian award by the Vice President of India along with a letter of appreciation by  PM Modi for creating  Sitabani Wildlife Reserve, the world’s first rewilded private sanctuary with wild tiger and leopard presence. His path-breaking work in wildlife conservation is now being used as a precedent in many countries for rewinding degraded habitats.

Right from his early teens, Abhishek Ray has been a Government bonafide tiger & leopard tracker having received multiple certifications for taking part in tiger census in various tiger reserves of India.

‘More than a decade back, I chanced upon this barren hill adjacent to Corbett Tiger Reserve which had been abused by years of slash and burn agriculture. The hill was surrounded by dense Sal forest. So in my eyes, this degraded land was screaming to be returned back to the wild.  My childhood dream of creating a haven for wildlife saw manifestation in this and I utilised all my savings from Bollywood in buying it off and then painstaking rewilding it to pristine forest over many years.   When human interference was removed, nature took over. ‘, says Abhishek.

He did rain water harvesting and made several fresh water bodies on the land. The grass, bamboo, fruiting trees planted by him and particularly the water bodies became a magnet for 350 species of rare birds and ungulates like Sambar, Ghoral , Chital and Barking deer. Once the prey settled in, they were soon followed by apex predators. Thereby the broken tiger-leopard corridor was re-established and then a miracle happened.

The universe conspired and a wild tigress gave birth to cubs in the area.  The cubs found save haven with perennial water, prey, thick undergrowth and no human disturbance. The tigress made Sitabani wildlife reserve famous by reposing her trust in Abhishek and rearing her cubs in a habitat that he created from barren hill.

Abhishek strongly believes that big cat numbers are an accurate indicator of freshwater, rainfall, clean rivers and the overall environmental health of India.

‘ Inspite of being the most populous country, we are home to 5 of the 7 big cats of the world (tiger, lion, leopard, cheetah, snow leopard).

Therefore New Delhi is a natural capital for the IBCA (International Big Cat Alliance) and India with its impeccable credentials in tiger-leopard conservation will soon be the global ambassador of big cat conservation and management.’ ,mantains the composer- conservationist.

The famous Bollywood star Jackie Shroff has also lend his voice alongside Ray in ‘Guardians of the wild’- The planet’s big cat anthem.

Link:  https://www.instagram.com/reel/C52c2nYPUs3/?igsh=ZmQwcHF6eTlrM3Yw

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New Delhi, 22 February, 2025: At just 12 years old, Swayam Vir Kashyap, a rising sports star from Haryana, is making waves in both national and international circuits. Competing in the sub-junior age group, he has already earned recognition in top-level basketball tournaments, represented Chhattisgarh at the SGFI School Games, and impressed USA scouts with his exceptional talent.

Standing 5 feet 3 inches tall and playing as a Small Forward/Point Guard, Swayam has been honing his skills for the past three years. His training at KBSS Academy, Gurgaon, has helped him develop into a dynamic player known for his ball-handling, defense, and passing.

A Stellar Performance Record

With a remarkable highest-scoring game of 40 points, 4 assists, and 6 rebounds, Swayam has showcased his ability to lead his team to victory. His stats speak for themselves:

• Points Per Game (PPG): 15.4
• Rebounds Per Game (RPG): 3
• Assists Per Game (APG): 4
• Free Throw Percentage (FTP): 70%
• 3-Point Shooting Percentage: 35%

His standout performances earned him the Most Valuable Player (MVP) award at the Inter-School Basketball Tournament held at DPS International.

Excelling in Football as Well

Beyond basketball, Swayam has also made a mark in football. He has represented DPS International in ISSO Jaipur (2023) and continues to train at Rolling Thunder Academy, Gurgaon, showcasing his versatility as a multi-sport athlete.

Notably, he was awarded the Best Football Goalkeeper (Under 11) in ISSO Sports, Jaipur, a testament to his exceptional reflexes, game awareness, and ability to perform under pressure.

National & International Recognition

Swayam has represented IBSO in the SGFI School Games at Rajnandgaon Basketball Stadium, Chhattisgarh, and played in the ISSO Nationals. He also showcased his skills in the Jr. NBA Tournament, New Delhi (2024), reaching the Pre-Quarterfinals with his team. His participation for the Haryana State Team Trials in Panipat further solidifies his position as a promising young talent.

However, his biggest achievement yet has been catching the attention of USA scouts, leading to his selection for Combine Academy, USA—one of the top training centers for young basketball prospects. This marks a significant milestone in his journey, opening up opportunities to train at an international level and compete against top-tier talent.

Adding to his global journey, Swayam has also been selected for a summer camp at KK Cibona Academy, Croatia, for the 2025 season. KK Cibona is one of Europe’s most renowned basketball training centers, known for developing high-caliber players. This opportunity will further enhance his skills, expose him to international competition, and strengthen his chances of making a mark on the global basketball stage.

Focused on the Future

Despite his rapid rise, Swayam remains grounded and dedicated to his game. “Basketball is my passion, and I dream of representing India on the global stage. Being recognized by USA scouts is a huge motivation for me to push harder,” he said.

His Basketball coach, Soji Cheriyan (Ex-Navy), praised his dedication, saying, “He has a rare combination of skill, discipline, and mental toughness for his age. His journey is just beginning, and we expect great things from him.”

As he continues to train and compete at higher levels, Swayam Vir Kashyap is undoubtedly one of India’s brightest young basketball prospects. With his talent, work ethic, and growing international exposure, he is on the path to making a significant impact on Indian basketball at the global level.

Featured in NBA India Official Instagram Page:

https://www.instagram.com/p/DFkH_LpNJn2/?img_index=1&igsh=Z3ZkMm5iN2JwYnVy

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New Delhi [India], February 21: Of late, there is a growing trend to make documentaries, which look fiction films and the fiction films which look like documentaries. At times it becomes difficult to decipher whether you are watching a fiction or a non-fiction film. Recently I watched a film in MAMI , which weaved in an emotional story into a film which was talking about Artificial Intelligence. While the filmmakers have their own reasons for doing so, the critics are dived on the issue. One of the arguments given by the purists is that if the non-fiction films are determined to look , feel and move like fiction films , what’s the point in making non-fiction films ?

The earliest non-fiction films sought to present reality in its rawest form. The Lumière Brothers’ Workers Leaving the Factory (1895) and Arrival of a Train at La Ciotat (1895) are among the first examples of capturing real-life events without manipulation. Filmmakers like Robert Flaherty (Nanook of the North, 1922) and Dziga Vertov (Man with a Movie Camera, 1929) were pioneers in the documentary movement. While Flaherty’s work had a slight narrative structure, Vertov strongly believed in an unfiltered representation of life through cinéma vérité—a style dedicated to capturing unscripted reality.

Over time, non-fiction filmmakers began incorporating narrative devices traditionally associated with fiction films. Techniques like montages, dramatic reenactments, background music, and the three-act structure became common. Documentarians started using these cinematic tools to engage audiences emotionally and make their films more compelling.

For instance, in Michael Moore’s Bowling for Columbine (2002) or Asif Kapadia’s Amy (2015), dramatic pacing, music, and structured storytelling make the films feel closer to fiction in engagement, even though they are based on real events. Similarly, in India, films like Katiyabaaz (2013), which tells the story of electricity theft in Kanpur, or Placebo (2014), which explores mental health in India’s educational institutions, use dramatized elements, background music, and structured narratives to create emotional depth.

Critics argue that using narrative techniques from fiction dilutes the objectivity of non-fiction. They believe that documentaries should function as neutral observers, presenting reality without embellishment. The inclusion of music, reenactments, and emotional arcs can manipulate audience perception, leading to a subjective rather than objective truth.

On the other hand, many modern documentary filmmakers argue that strict realism does not always engage audiences effectively. They believe that storytelling is necessary to make documentaries accessible and impactful.

On the other hand several fiction films have successfully employed the documentary style of filmmaking, blending realism with scripted narratives to create an immersive, vérité-like experience. Here are some notable examples:

International Cinema

1. The Battle of Algiers (1966, dir. Gillo Pontecorvo): A landmark in documentary-style fiction filmmaking, this film about the Algerian War was shot with handheld cameras, non-professional actors, and a newsreel aesthetic, making it appear like an actual documentary.

2. Z (1969, dir. Costa-Gavras): A political thriller that employs handheld cinematography, naturalistic performances, and real-time pacing, giving it the feel of an investigative documentary.

3. The Blair Witch Project (1999, dir. Daniel Myrick & Eduardo Sánchez): One of the most famous found-footage horror films, it was marketed as real footage, using handheld cameras and improvisational performances to heighten its documentary realism.

4. Children of Men (2006, dir. Alfonso Cuarón): While heavily scripted, its long takes, handheld camerawork, and natural lighting create an intense, documentary-like sense of immediacy in a dystopian setting.

5. District 9 (2009, dir. Neill Blomkamp): The sci-fi film is presented as a mockumentary, incorporating news-style interviews and handheld footage to add realism to its depiction of an alien refugee crisis.

6. The Hurt Locker (2008, dir. Kathryn Bigelow): Shot with multiple handheld cameras and a raw, observational approach, this war film closely resembles a frontline documentary.

Indian Cinema

1. Black Friday (2004, dir. Anurag Kashyap): A gripping retelling of the 1993 Mumbai blasts, shot in a cinéma vérité style with real locations, handheld cameras, and a documentary-like approach.

2.Missed Call ( 2005,dir Mridul Toolsidass): Using  a secretly carried camera  by the protagonist , it was shot in cinema verité style and used the secretly captured raw moments  in the narrative of the film.

3. Love Sex Aur Dhokha (2010, dir. Dibakar Banerjee): Uses hidden cameras, CCTV footage, and handheld shots to tell three interconnected stories, making it appear as if it were captured in real-time.

4. Dhobi Ghat (2011, dir. Kiran Rao): The film employs documentary-style cinematography, including handheld shots and real Mumbai locations, blurring the line between fiction and reality.

5. Ship of Theseus (2012, dir. Anand Gandhi): While not entirely documentary in style, the film’s use of naturalistic cinematography, real settings, and observational storytelling give it a deeply authentic feel.

6. Court (2014, dir. Chaitanya Tamhane): A minimalist legal drama that closely mimics documentary filmmaking with its long takes, non-professional actors, and real-life court procedures.

7. Newton (2017, dir. Amit V. Masurkar): The film uses documentary-like realism to portray the electoral process in a remote village, capturing the setting and performances with an unfiltered, observational style.

The critics or the purists may have arguments on both side of the topic, but I believe change is inevitable and the blurring of the diving line is nothing but a reflection of the times we are living it. It is a part of the process which is being induced with the technological changes which are happening around us and are unstoppable. Therefore in the days to come we will see more blurring of this diving line and we shall se see more of this hybrid kind of filmmaking. I personally believe that a balance between realism and cinematic storytelling may be the key to the future of documentary filmmaking.

A notable example of this hybrid form of documentary filmmaking is ‘Waltz with Bashir’ (2008), directed by Ari Folman. It is an animated documentary that reconstructs the director’s lost memories of the 1982 Lebanon War. The film uniquely blends documentary elements with stylized animation, making it both a personal recollection and a broader commentary on war and trauma. While based on real interviews and events, its use of animation creates a dreamlike atmosphere that challenges the traditional boundaries of non-fiction.

https://youtu.be/hWjR9d0IhSQ?si=A543wNrJH5c5DuOw

OP Srivastava is a National Film Award winning filmmaker and writer based in Mumbai.

+9819812473: reelismfilms@gmail.com

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About Prabhat Arts International

New Delhi [India], February 21: Women’s needs have been easily overlooked for centuries. Women experience multiple phases in life, from daughters to mothers to grandmothers. However, their well-being is usually not at the forefront. That’s where Hersay comes in. More than just a personal care brand, Hersay is a movement that provides self-care, body positivity, and confidence.

A brand by women, for women

Hersay was born to empower women by providing intimate hygiene and body care solutions. Women should never have to compromise when it comes to self-care, so Hersay has created a one-stop destination for all women of any age to meet their hygiene needs with expertise and care.

Safety and Science first

Hersay sets itself apart from other brands by its innovation and commitment to safety. All Hersay products are crafted in-house organically rather than produced in a large amount, which ensures safety and quality control. Every molecule is thoroughly tested before reaching its final formulation.

Moreover, Hersay products are proudly and confidently:

• Sulfate, paraben free – free from harsh chemicals
• FDA-approved – assuring superior quality and safety
• Hypoallergenic – gentle for the most delicate skin

The effectiveness of Hersay also lies in its ability to offer gentle skin solutions without compromising effectiveness and tackle common concerns like chafing, rashes, and infections confidently.

Backed by Experience and Global Success

Empowering Women Beyond Skincare

Hearsay is not just another new brand in the market; it has a strong legacy of trust. The brand operated in Africa before the Indian market, earning thousands of satisfied customers and positive reviews under Glam & Glory. Now, with bigger goals and broader accessibility, Hersay is set to revolutionize women’s care in India.

But that’s not all; Hersay is not just about beauty and personal care—Hersay is about creating a positive impact. The brand is on a mission to:

• Promote self-love, confidence, and body positivity
• Provide employment opportunities to women, empowering them to be confident and independent
• Spread awareness regarding intimate hygiene and body care

The core of everything we do stems from the fundamental belief that women are better equipped to take on the world when they take care of themselves.

We’re available on NYKAA!

Hersay products are now available on Nykaa, making it easier than ever for women to access premium intimate hygiene and body care products. Whether looking for daily essentials or specialized care, self-care is just a click away with Hersay.

Join the Hersay Movement

Hersay’s philosophy is more than just marketing. It promises pride in self and empowerment. Hersay embraces the fact that women and their needs are unique. Hersay is a product of empowerment and contempt.

After all, why settle for less when you can choose Hersay? Ladies, it is time we put ourselves first.

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